The legend of Robin Hood has spawned many imitators. In this post I apply Eric Hobsbawm’s social banditry thesis to the actions of the onscreen comic book hero, Arrow.
Prince John is now one of the stock villains of movie and television adaptations of the Robin Hood legend, but this wasn’t always the case…
During the nineteenth century, various authors such as John Keats, Sir Walter Scott, and Thomas Love Peacock transformed Robin Hood into a morally safe figure; a respectable outlaw hero with whom the Victorian middle classes could identify. It was not purely in literary texts that Robin Hood’s respectable status was exhibited, however, but also in material culture.
The Waverley Novels were a series of novels written by the great Sir Walter Scott (1771-1832). Amongst this series of novels were many which people today might recognise: Waverley (1814), The Antiquary (1816), Rob Roy (1817), Ivanhoe (1819), and Woodstock (1826) to name but a few.
Who is the most likely candidate for being the original Robin Hood?
The last historian to address this was James Clarke Holt, and the evidence for the most likely candidate which he identified is laid down here.
The early eighteenth century was one of the best ages for satire. Writers such as Joseph Addison (1672-1719) and Richard Steele (1672-1729) wrote their Spectator and Tatler magazines to expose the follies […]
The folktale of “The Two Children in the Wood” has always been popular with audiences, in spite of its grim content, depicting as it does the death of two children. However, the legend became incorporated into the Robin Hood tradition in the nineteenth century, This post discusses why two very different legends came to be associated.
Romanticism was a cultural and intellectual movement spearheaded by poets, artists, writers, sculptors and musicians. Whereas in the eighteenth century men such as Joseph Addison (1672-1719) complained that rural people and provincial […]
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]
I can nought parfitly my pater noster as the prest it syngeth, but I can rymes of Robyn Hode and Randalf erle of Chestre – The Vision of Piers the Plowman (c.1380) […]