If Twitter was around in 1819, this angry letter writer named Robin Hood–who railed against corrupt and tyrannical MPs–would probably have had an account.
Pierce Egan’s “Quintin Matsys” is like the Belgian “Les Miserables”; the people of Antwerp rise up and take to the barricades to overthrow the evil aristocrats who oppress them.
In the earliest medieval poems, Robin Hood is devoted to the Virgin Mary. While this may seem odd, many thieves in medieval Europe had an attachment to her.
Robin Hood hated the sheriff of Nottingham and everything he stood for, but that doesn’t mean that he objected to the sheriff keeping law and order.
Did film completely destroy the market for Robin Hood books? Perhaps not as quickly as we might think.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
Joseph Ritson stated that the poem was “a dull performance and scarcely merits the care of a modern impression.”
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
Mrs. O’Neill’s story of the Peasants’ Revolt, all-but-forgotten now, reflects the political agitation leading up ot the passage of the Great Reform Act (1832)
Throughout history, art depicting the law and justice helped to legitimise the power of the courts