This is a copy of the paper I gave at the British Association for Romantic Studies International Conference, 19 – 19 July 2015.
In Henry Fielding’s novel, there was no difference between the great men in high life and those in low life.
I feel bad writing about something like this, like I’m betraying my eighteenth-century roots.
“A Lytell Geste of Robyn Hode” (c.1450) is one of the earliest Robin Hood texts, and one of the most interesting.
Pierce Egan the Younger (1814-1880) was like the George R. R. Martin of his day. He loved the medieval period,
The 19th-century criminal was an altogether different species of villain compared to the romantic highwayman a century previously.
This post has been adapted from a chapter in my MA Thesis which was completed under the supervision of Dr. Heather Shore. The tale of Sweeney Todd, the ‘demon barber,’ (originally entitled […]
Romanticism was a cultural and intellectual movement spearheaded by poets, artists, writers, sculptors and musicians. Whereas in the eighteenth century men such as Joseph Addison (1672-1719) complained that rural people and provincial […]
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]
Medieval outlaws are arguably one of the first examples of organised crime in England. All organised crime gangs have certain codes of conduct which, to be counted as part of their respective gangs, they must adhere to. In this post I discuss the Outlaws Code laid down by Robin Hood in the Medieval ballads, and how and why such gangs of criminals enjoy the support of the people.