The name of Robin Hood appears in the most unlikely of places. Here we meet an orphan boy from the eighteenth century who was given the hero’s name.
Contrary to stories of Robin Hood, an outlaw’s life was not a merry one: in the 1820s, banditry in Italy was rife; at this time, a young travel writer named Charles Macfarlane was touring the country and managed to obtain a rare interview with one of these brigands.
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
My book on Wat Tyler in medieval and post-medieval literature is now available for preorder on Amazon!
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
Throughout history, art depicting the law and justice helped to legitimise the power of the courts
A FAMOUS man is Robin Hood / The English ballad-singer’s joy! / And Scotland has a thief as good, / An outlaw of as daring mood; / She has her brave ROB ROY!
The Robin Hood novelist Thomas Miller was chosen by George Vickers to continue writing “The Mysteries of London” in 1849.
Society Gets the Criminals it Deserves: The Resurrection Man from G. W. M. Reynolds’ “The Mysteries of London” (1844-45)
What makes a person commit crime? How does a person become a hardened criminal? These are questions which we ask today and which the Victorians also asked of their society? This post examines G W M Reynolds’ answer to these questions.