Paper Presented to the Women’s History Network Conference, Leeds Trinity University, 16-17 September 2016.
Abstract: The earliest ballads of Robin Hood such as A Gest of Robyn Hode (c.1450) and Robin Hood and the Potter (c.1450) give no clue as to the manner of Robin Hood’s birth. This was still the case when Joseph Ritson published his influential ballad anthology entitled Robin Hood: A Collection of All the Ancient Poems, Songs, and Ballads (1795). Five years after Ritson, however, Robert Jamieson published Popular Ballads and Songs, from Tradition, Manuscripts, and Scarce Editions (1806). In that collection two new never-before-seen Robin Hood ballads appeared entitled The Birth of Robin Hood and The Wedding of Robin Hood and Little John. Jamieson had transcribed the ballads from Anna Gordon Brown of Falkland, Scotland. Although twentieth-century Robin Hood critics have derided Mrs. Brown’s ballads as being of little merit compared to earlier material, Mrs. Brown enjoyed a ‘literary afterlife’ in the tradition as Goody – the old woman who recites Robin Hood stories to dinner guests – in the first ever Robin Hood novel entitled Robin Hood: A Tale of the Olden Time (1819). The proposed paper, therefore, is intended to fit into the panel ‘Women Collectors and Collected Women’.
A paper delivered at Pernicious Trash? Victorian Popular Fiction, c.1830-c.1880, Leeds Trinity University 12 September 2016.
Alexander Smith’s A History of the Lives and Robberies of the Most Notorious Highwaymen, Footpads, Shoplifts, and Cheats (1714), with its combination of excessive moralism and sensational reporting, set the tone for all successive ‘true’ crime writing.
In 1867 William Knipe authored “The Criminal Chronology of York Castle” – the most comprehensive survey of crime in Yorkshire from the medieval period to the Victorian era.
Crime historians often pay little regard to medieval outlaw literature, but my paper aims to use the history of crime in the early modern period to add a new context to their study. The ballad A Lytell Geste of Robyn Hode was first printed in the early sixteenth century. Around the same time also we see other outlaw ballads printed such as Adam Bell, Clim of the Clough, and William of Cloudesly (c.1530). My paper explores one reason why the figure of the outlaw hero became popular in print during the sixteenth century. Could it be that the idealisation of the outlaw occurred during the sixteenth century because another, more sinister criminal figure was also emerging in print: the ‘rogue’? Whilst outlaws such as Robin Hood were ‘curteyse’ and ‘dyde pore men moch god’, the figure of the rogue was more menacing. The word ‘rogue’ was first coined in 1561. Unlike the relatively good greenwood outlaw who lived apart from mainstream society, however, rogues were part of it, describing somebody who would rob, cheat, and swindle people indiscriminately, all the while effecting the disguise of a law-abiding citizen. Thus there was a need for people to believe in a good outlaw, because real-life offenders were ultimately more menacing. Hence the proposed paper explores the dichotomy between outlaws and rogues in print, in the process highlighting how changes in the nature of crime in the early modern period might have affected medieval outlaw myths.
The folktale of “The Two Children in the Wood” has always been popular with audiences, in spite of its grim content, depicting as it does the death of two children. However, the legend became incorporated into the Robin Hood tradition in the nineteenth century, This post discusses why two very different legends came to be associated.
During the 18th century crime was the talk of the town in England. In 1751, the crime rate had reached such hellish proportions that the Magistrate of Westminster, Henry Fielding (the author […]
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]
Medieval outlaws are arguably one of the first examples of organised crime in England. All organised crime gangs have certain codes of conduct which, to be counted as part of their respective gangs, they must adhere to. In this post I discuss the Outlaws Code laid down by Robin Hood in the Medieval ballads, and how and why such gangs of criminals enjoy the support of the people.
When you begin researching the original Robin Hood ballads, the names of a few late eighteenth- and early nineteenth-century antiquarians become familiar to you. The likes of Thomas Percy, an Irish Bishop […]