Did any women ever rob people in the 17th and 18th centuries?
Recidivism…refers to a person’s relapse into criminal behavior, often after the person receives sanctions or undergoes intervention for a previous crime.
“A Lytell Geste of Robyn Hode” (c.1450): Alleviating the Fear of Crime in Late Medieval & Early Modern England?
Did people *need* the myth of a good outlaw?
‘The morning dawned…the clock had just struck eight, when the voice of a man in the street fell upon his ear. He heard the following announcement:-
Here is a full account of the horrible assassination committed by the miscreant William Bolter upon the person of his wife…only one penny! The fullest and most perfect account – only one penny!’
This is a copy of the paper that I presented at the International Association for Robin Hood Studies ‘Outlaws in Context’ Conference, 30 June – 1 July 2015.
In Henry Fielding’s novel, there was no difference between the great men in high life and those in low life.
The 19th-century criminal was an altogether different species of villain compared to the romantic highwayman a century previously.
Exorbitancy and Necessity frequently compelled him to perpetrate Villainy; And no wonder, since he lived in the most infectious Air of the worst of most Licentious Times.
Eugene Sue’s “The Mysteries of Paris” marked the emergence of a new genre: the urban gothic.
In 1977, the horror movie The Hills Have Eyes was released, but it was based upon a 17th-century Scottish folk tale and was then immortalised in 18th-century criminal biography