Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
Last week Google celebrated the life of Victor Hugo (1802-85) with some quirky illustrations on its masthead, so I thought I would do the same by writing a post on an early novel by Hugo entitled “The Last Day of a Condemned Man” (1829), which explores the mindset of a man who is about to be hanged.
Expelled from school after stabbing his classmate, G. Barrington became an actor, then a pickpocket, until he was transported to Botany Bay and died of insanity.
Wakefield, West Yorkshire, 1803, a 67 year old woman is murdered in her bed by John Terry, apprentice.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
Scott served as Sheriff of Selkirk, and in 1804, a man appeared before him in the dock charged with stealing from his land. But the law-giver and the offender instead became best friends.
When “Upperworld” and “Underworld” Meet: Social Class and Crime in “The Mysteries of London (1844-46)
Rich people commit greater crimes than their poorer counterparts, but they are at their most dangerous when members of the “upperworld” and “underworld” work together.
Given that the term “fake news” has recently been bandied around by some very prominent public figures on social media (hurled as a term of abuse at various media outlets, and usually in capital letters), I thought I might bring to people’s attention an interesting little court case from June 1778.
Throughout history, art depicting the law and justice helped to legitimise the power of the courts
Oleksa Dovbush was an outlaw/freedom fighter who robbed from the rich to give to the poor.