The original Goldilocks was a haggard old woman and a criminal vagrant who gets sent to prison for being up to no good.
The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
Last week Google celebrated the life of Victor Hugo (1802-85) with some quirky illustrations on its masthead, so I thought I would do the same by writing a post on an early novel by Hugo entitled “The Last Day of a Condemned Man” (1829), which explores the mindset of a man who is about to be hanged.
Expelled from school after stabbing his classmate, G. Barrington became an actor, then a pickpocket, until he was transported to Botany Bay and died of insanity.
Wakefield, West Yorkshire, 1803, a 67 year old woman is murdered in her bed by John Terry, apprentice.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
Scott served as Sheriff of Selkirk, and in 1804, a man appeared before him in the dock charged with stealing from his land. But the law-giver and the offender instead became best friends.
When “Upperworld” and “Underworld” Meet: Social Class and Crime in “The Mysteries of London (1844-46)
Rich people commit greater crimes than their poorer counterparts, but they are at their most dangerous when members of the “upperworld” and “underworld” work together.