“The Noble Birth and Gallant Atchievements of that Remarkable Out-Law Robin Hood. Together with a True Account of the Many Merry and Extravagant Exploits he Play’s in Twelve Several Stories” (1662)
William Harrison Ainsworth’s novel Rookwood (1834) is the work which, along with Edward Bulwer Lytton’s lesser novel Paul Clifford (1830) imbued eighteenth-century highwaymen to legendary status. Ainsworth wanted to write a novel […]
or, The Life and Death of the Notorious High-Way-Man, Now Hanging in Chains at Hampstead, Delivered to a Friend a Little before Execution: Wherein is Truly Discovered the Whole Mystery of that Wicked and Fatal Profession of Padding on the Road (1674)
James Maclean (1724-1750) – the last ‘heroick’ highwayman.
This is a copy of the paper that I presented at the International Association for Robin Hood Studies ‘Outlaws in Context’ Conference, 30 June – 1 July 2015.
Eugene Sue’s “The Mysteries of Paris” marked the emergence of a new genre: the urban gothic.