“Do not be deceived: bad company corrupts good morals.” (1 Corinthians 15: 33, ASV)
The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
Expelled from school after stabbing his classmate, G. Barrington became an actor, then a pickpocket, until he was transported to Botany Bay and died of insanity.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
When “Upperworld” and “Underworld” Meet: Social Class and Crime in “The Mysteries of London (1844-46)
Rich people commit greater crimes than their poorer counterparts, but they are at their most dangerous when members of the “upperworld” and “underworld” work together.
My Forthcoming Book: “The Lives and Exploits of the Most Noted Highwaymen, Rogues, and Murderers” (2018)
In addition to my PhD thesis entitled ‘The Changing Faces of Robin Hood, c.1700-c.1900’ and my forthcoming book, “The Mob Reformer: The Life and Legend of Wat Tyler” (2018), I have also been contracted to author another book entitled “The Lives and Exploits of the Most Noted Highwaymen, Rogues, and Murderers” which is due to be published by Pen & Sword Books in September 2018.
After G W M Reynolds and Thomas Miller decided to stop writing Victorian crime novel “The Mysteries of London”, E. L. Blanchard took up the narrative with a brand new story with original characters.
The Robin Hood novelist Thomas Miller was chosen by George Vickers to continue writing “The Mysteries of London” in 1849.
Society Gets the Criminals it Deserves: The Resurrection Man from G. W. M. Reynolds’ “The Mysteries of London” (1844-45)
What makes a person commit crime? How does a person become a hardened criminal? These are questions which we ask today and which the Victorians also asked of their society? This post examines G W M Reynolds’ answer to these questions.
In the late-Victorian period The Edinburgh Review wrote that ‘There is now before us such a veritable mountain of pernicious trash, mostly in paper covers, and “Price One Penny”; so-called novelettes, tales, stories of adventure, mystery and crime; pictures of school life hideously unlike reality; exploits of robbers, cut-throats, prostitutes, and rogues, that, but for its actual presence, it would seem incredible’.