Do we read ‘books,’ or do we read texts? What is a book?
This is a copy of the paper that I presented at the International Association for Robin Hood Studies ‘Outlaws in Context’ Conference, 30 June – 1 July 2015.
This is a copy of the paper I gave at the British Association for Romantic Studies International Conference, 19 – 19 July 2015.
In Henry Fielding’s novel, there was no difference between the great men in high life and those in low life.
I feel bad writing about something like this, like I’m betraying my eighteenth-century roots.
“A Lytell Geste of Robyn Hode” (c.1450) is one of the earliest Robin Hood texts, and one of the most interesting.
In 1637 Ben Jonson began work on a Robin Hood play, “The Sad Shepherd; or, a Tale of Robin Hood,” and presented an idealised, pastoral outlaw world.
The Downfall of Robert, Earle of Huntington (1598) & The Death of Robert, Earle of Huntingdon (1601) by Anthony Munday and Henry Chettle.
Robin Hood first became an Earl in the 16th century; two relatively unknown plays had a dramatic effect upon later interpretations of the legend.
The novel emerged as the dominant literary form in the 1700s, but one of its influences was the contemporary genre of criminal biography.
In 1977, the horror movie The Hills Have Eyes was released, but it was based upon a 17th-century Scottish folk tale and was then immortalised in 18th-century criminal biography