If Twitter was around in 1819, this angry letter writer named Robin Hood–who railed against corrupt and tyrannical MPs–would probably have had an account.
The name of Robin Hood appears in the most unlikely of places. Here we meet an orphan boy from the eighteenth century who was given the hero’s name.
Hark ye! My Merry Men all and listen to me!
Of a very bad bishop who was a Tory!
Chartists writers loved drawing inspiration from England’s medieval past; in their campaign for political reform, which better figure could they choose than England’s famous outlaw from the Middle Ages?
Whenever a politician proposes raising a new tax or cutting a public service, a newspaper columnist will often respond that the proposed changes are ‘Reverse Robin Hood’. Alternatively, those who look favourably upon governmental tax and finance reforms might attempt to portray the politician in question as embodying Robin Hood values.
In the earliest medieval poems, Robin Hood is devoted to the Virgin Mary. While this may seem odd, many thieves in medieval Europe had an attachment to her.
Robin Hood hated the sheriff of Nottingham and everything he stood for, but that doesn’t mean that he objected to the sheriff keeping law and order.
Did film completely destroy the market for Robin Hood books? Perhaps not as quickly as we might think.
Joseph Ritson stated that the poem was “a dull performance and scarcely merits the care of a modern impression.”
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.