If you were a criminal, what would you choose – a life sentence in prison, the death sentence, or to be surgically blinded?
G. W. M. Reynolds, the “vicious republican” of the Victorian era, attributed the cause of all crime to the the existence of the royal family and the political establishment.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
Expelled from school after stabbing his classmate, G. Barrington became an actor, then a pickpocket, until he was transported to Botany Bay and died of insanity.
When “Upperworld” and “Underworld” Meet: Social Class and Crime in “The Mysteries of London (1844-46)
Rich people commit greater crimes than their poorer counterparts, but they are at their most dangerous when members of the “upperworld” and “underworld” work together.
After G W M Reynolds and Thomas Miller decided to stop writing Victorian crime novel “The Mysteries of London”, E. L. Blanchard took up the narrative with a brand new story with original characters.
The Robin Hood novelist Thomas Miller was chosen by George Vickers to continue writing “The Mysteries of London” in 1849.
Society Gets the Criminals it Deserves: The Resurrection Man from G. W. M. Reynolds’ “The Mysteries of London” (1844-45)
What makes a person commit crime? How does a person become a hardened criminal? These are questions which we ask today and which the Victorians also asked of their society? This post examines G W M Reynolds’ answer to these questions.
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.