Pierce Egan’s “Quintin Matsys” is like the Belgian “Les Miserables”; the people of Antwerp rise up and take to the barricades to overthrow the evil aristocrats who oppress them.
Whenever a politician proposes raising a new tax or cutting a public service, a newspaper columnist will often respond that the proposed changes are ‘Reverse Robin Hood’. Alternatively, those who look favourably upon governmental tax and finance reforms might attempt to portray the politician in question as embodying Robin Hood values.
In the earliest medieval poems, Robin Hood is devoted to the Virgin Mary. While this may seem odd, many thieves in medieval Europe had an attachment to her.
Did film completely destroy the market for Robin Hood books? Perhaps not as quickly as we might think.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
Charles Edmund Maurice was a Barrister, History Lecturer, and committed Christian Socialist. In 1875, he authored one of the first socialist histories of the rebellion of 1381.
Mrs. O’Neill’s story of the Peasants’ Revolt, all-but-forgotten now, reflects the political agitation leading up ot the passage of the Great Reform Act (1832)
Throughout history, art depicting the law and justice helped to legitimise the power of the courts
