In the earliest medieval poems, Robin Hood is devoted to the Virgin Mary. While this may seem odd, many thieves in medieval Europe had an attachment to her.
Robin Hood hated the sheriff of Nottingham and everything he stood for, but that doesn’t mean that he objected to the sheriff keeping law and order.
In 1824, the lawyer, Andrew Kapp, asked, “Do not these creatures, when they are bruised and wounded, shew an equal sense of pain with ourselves? Are not their shrieks and mournful cries, as so many, calls upon their tormentors for pity? And do not their dying pangs, and the painful convulsions of their tortured bodies, cause uneasiness in every human spectator?”
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
My book on Wat Tyler in medieval and post-medieval literature is now available for preorder on Amazon!
Throughout history, art depicting the law and justice helped to legitimise the power of the courts
I have recently been contracted by a commercial publisher to write a popular history book entitled “The Mob Reformer: The Life and Legend of Wat Tyler” which is due for publication in 2018.
In 1724 a book appeared entitled A General and True History of the Robberies and Murders of the Most Notorious Pyrates (1724) which was written by a “Captain” Charles Johnson. The name […]
Capt. Alexander Smith’s “A History of the Lives and Robberies of the Most Notorious Highwaymen, Footpads, Shoplifts, and Cheats” (1714)
Alexander Smith’s A History of the Lives and Robberies of the Most Notorious Highwaymen, Footpads, Shoplifts, and Cheats (1714), with its combination of excessive moralism and sensational reporting, set the tone for all successive ‘true’ crime writing.