“The Bondman” (1833): Wat Tyler, Medievalism, and the Great Reform Act of 1832

In the course of my research for my book The Life and Legend of a Rebel Leader: Wat Tyler, due to be published by Pen & Sword in 2018, I came across a now little-known novel written by a Mrs. O’Neill (I have been unable to find out her full name) entitled The Bondman: A Historical Narrative of the Times of Wat Tyler (1833). O’Neill’s text is the first time that the story of Wat Tyler and the Peasants’ Revolt of 1381 received its ‘big break’ in the historical novel. Now, during the nineteenth century, novelists would often appropriate the medieval past to comment upon contemporary social, political, and economic issues. Walter Scott’s Ivanhoe (1819), about which I have written a lot on this site, was written as a response to the parlous, divided state of England at the time. As I was reading The Bondman, I realised that in the novel there are echoes of the political agitation that occurred in the lead up to the passage of the Reform Act of 1832.

During the early nineteenth century, by and large, neither the working nor the middle classes had the vote. The franchise was restricted to those who owned over 40 shillings of freehold property. Electoral constituencies were not equally sized, and many were not fit for purpose. Some constituencies, the ‘rotten boroughs’, such as Old Sarum in Wiltshire (which was a mere field in 1832), returned two MPs to Parliament. Yet new towns such as Leeds and Manchester had no representation in Westminster. The system needed changing, and after the French Revolutionary and Napoleonic Wars (1793-1815), reform-minded members of the middle and working classes came together to secure representation in Parliament. Mass meetings were held throughout the country, but it was only in 1832 that the Whigs passed the ‘Great’ Reform Act, which widened the franchise by lowering the property qualification to £10. This went some way to addressing the demands of the reformers, but it still excluded many members of the working classes from voting. From that point on, the middle classes, who had been allies with the lower classes previously, now abandoned all further actions towards reform (the working-class Chartist movement would be founded six years later).[i]

So how does The Bondman reflect the events of 1832?

Firstly, perhaps a précis of the plot is in order. The narrative revolves around the life of a serf named Stephen Holgrave, who lives on Baron Sudbury’s estate in the South of England. He is set free from bondage after having saved his master Sudbury’s life on campaign in the Hundred Years’ War. Now a free man, he goes off to marry his sweetheart. Yet he falls victim to the schemes of Thomas Calverley, the Baron’s sergeant-at-arms, who is secretly in love with Holgrave’s life. Accused by Calverley of poaching in the Royal forest, Holgrave must submit to becoming a bondman again. From that day forward he experiences a radical awakening. He begins to resent the upper classes, a resentment fuelled by the preaching of his brother-in-law, John Ball (a historical figure and one of the key men in the Revolt of 1381), as well as by the revolutionary ideas of the local village blacksmith, Wat Tyler. Soon the revolt breaks out, and Holgrave joins with Tyler, Ball, and Jack Straw.

Bondman 1
Joan of Kent, the Queen Mother. Frontispiece to The Bondman (1837 edn.). Personal Collection.

Essentially, the novel is the story of the growth of a labouring class consciousness, and the language of class is prominent throughout the novel. Having resubmitted to bondage, Stephen asks himself,

Can it be that the lord of the castle and I are sons of the same heavenly father?[ii]

In one of his speeches given to a crowd of peasants, John Ball speaks of bondmen as being,

The labouring class.[iii]

When the Poll Tax of 1381 is initiated by Simon Sudbury, the Archbishop of Canterbury (who also has a personal rivalry with John Ball), opposition to the tax creates discontent, nnot simply among the peasants, but amongst merchants, skilled workers, and professional people. What emerges in the novel is

A coalition of the lower classes.[iv]

This ‘coalition of the lower classes’ mirrors the alliance of the working and middle classes seen prior to the passage of the Reform Act. Reflecting the strikes and the political agitation seen in the lead up to the passage of the Act in 1832, O’Neill’s novel speaks of how there was,

In many places a total suspension of labour.[v]

In the novel, the rebels have a very specific set of demands which are in keeping with the historical rebels’ demands, such as the abolition of serfdom, the right to freely buy and sell in the marketplace, as well as a general pardon for all offences committed during the rebellion. But in O’Neill’s novel, added on to this list of demands, is the general enfranchisement of serfs and freemen.[vi]

At the end of the novel, Tyler and Ball die, but Holgrave survives and must go back to serving his Lord. But the Baron of Sudbury soon realises, through twists and turns in the plot which are unnecessary to repeat here, that Holgrave was falsely accused of the crime. the Baron immediately restores Holgrave to freedom, and in a show of good faith, he releases all of his other serfs from bondage as well, because it is, in the Baron’s opinion, much better to be served by freemen. Of course, O’Neill points out that it is only some people in medieval England who get emancipated, while the rest carry on as before. Holgrave, instead of adhering to Tyler and Ball’s revolutionary principles throughout his life instead settles down to family life and thinks no more about his fellow bondmen in England. Such scenes mirror the ‘Great Betrayal’ of the working classes by the middle classes after 1832.

In addition, Kathryn Gleadle points out in Borderline Citizens: Women, Gender and Political Culture in Britain, 1815-1867 (2009), the role of women and the events of 1832 are not well-researched.[vii] The novel is also interesting because it illustrates how one woman, at least, in an era when women could not vote, was engaging in politics (some wealthy women could vote in elections in some instances prior to 1832, but it was rare, and this right was taken away from them after the passage of the Act). Unfortunately, I have been unable to find out any further information about Mrs. O’Neill. She was definitely an educated woman, for footnotes appear throughout the novel referencing primary sources such as Froissart’s Chronicles. Of what social class she was I do not know, but it is evident that her sympathies lay with the rebels of 1381, for she calls Wat Tyler ‘the Worthy’.


[i] See the following works on the Great Reform Act of 1832: Edward Pearce, Reform! The Fight for the 1832 Reform Act (London: Random House, 2003); Eric J. Evans, The Great Reform Act of 1832 2nd Edn. (London: Routledge, 1992).

[ii] Mrs. O’Neill, The Bondman: A Historical Narrative of the Times of Wat Tyler (London: Smith, Elder & Co., 1833; repr. 1837), p. 139.

[iii] O’Neill, The Bondman, p. 250.

[iv] O’Neill, The Bondman, p. 244.

[v] O’Neill, The Bondman, p. 259.

[vi] O’Neill, The Bondman, pp. 263-265.

[vii] Kathryn Gleadle, Borderline Citizens: Women, Gender and Political Culture in Britain, 1815-1867 (Oxford: Oxford University Press, 2009)