Contrary to stories of Robin Hood, an outlaw’s life was not a merry one: in the 1820s, banditry in Italy was rife; at this time, a young travel writer named Charles Macfarlane was touring the country and managed to obtain a rare interview with one of these brigands.
The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
The year is 2073, England is a republic, but an incurable disease is sweeping the earth, decimating its population.
Last week Google celebrated the life of Victor Hugo (1802-85) with some quirky illustrations on its masthead, so I thought I would do the same by writing a post on an early novel by Hugo entitled “The Last Day of a Condemned Man” (1829), which explores the mindset of a man who is about to be hanged.
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.
Salvatore Giuliano was the last true outlaw in history. Known as the Robin Hood of Sicily, he stole from the rich to give to the poor.
Expelled from school after stabbing his classmate, G. Barrington became an actor, then a pickpocket, until he was transported to Botany Bay and died of insanity.
Wakefield, West Yorkshire, 1803, a 67 year old woman is murdered in her bed by John Terry, apprentice.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.